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CITY LANDMARKS

In many respects, it is the abundance of Secessionist architecture that has provided Timisoara with its rather appropriate moniker, "Little Vienna." Secessionism developed in two distinct architectural phases here. Sinuous lines and floral decorations characterized the first phase which lasted until 1908. The second phase, which continued until the First World War, saw simpler, larger buildings with geometrical designs. Secessionism in Romania was an important link between the Byzantine style and later modernist architecture.

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Victory Square (Piata Victoriei)
 
Some of the city's most interesting sites are its elegant baroque buildings, spread around town and particularly along the main square, Piata Victoriei, which stretches from Opera Square (Piata Operei) to Loga Boulevard.
 
The focal point is the towering Romanian Orthodox Metropolitan Cathedral (Catedrala Ortodoxa Mitropolitana) at the south side of the square. Built between 1936 and 1946, its green and red roof tiles are arranged in a mosaic design. In front of the Cathedral is a memorial to those who lost their lives during the 1989 Revolution which overthrew Communist rule. The Memorial Museum of the 1989 Revolution (Muzeul Revolutiei) offers a full insight into the revolution in Timisoara.

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Union Square (Piata Unirii)
 
Across the town centre is the picturesque Habsburg-era Piata Unirii, so-named for the imposing sight of the Romano-Catholic and Serbian Orthodox Cathedrals facing each other. Historic pastel-hued buildings line the square. During the 18th century, this was the city's commercial centre and the venue for numerous military processions and religious ceremonies.

Nicolas Lenau College (Liceul Nicolas Lenau), located on the north side of the square, was built in 1761 and was home to the earliest theatre in Timisoara.

The baroque Serbian Orthodox Cathedral (Biserica Orthodoxa Sarba), built in 1745-48, and the mint green and white Serbian Bishop's Residence (Vicariatul Ortodox Sarb) with its extravagant decorations are located on the west side of the square. The Cathedral can be visited daily between 7am and 6pm.
 
The Roman Catholic Cathedral (Catedrala Episcopala Romano-Catolica) on the east side of the square was built between 1736 and 1754 to the design of Fisher von Erlach and represents a fine example of Viennese baroque style. The main altar painting was completed by Michael Angelo Unterberger, director of the Fine Arts Academy in Vienna.

The impressive 18th century Baroque Palace (Palatul Vechii Prefecturi) dominates the square's south side. Formerly the governor's residence, it now houses the Museum of Fine Arts with works by German, Flemish and Italian artists.

At the northwest corner of Piata Unirii stands the spectacular Scont Bank (Banca de Scont). This typical Hungarian-style art nouveau structure, built in the early 20th century, features an organic shape comprising curved walls studded with turquoise tiles forming patterns drawn from folklore, and extravagant iron gutters and window grills.
 
From Piata Unirii, walk east along Str. Palanca to the oldest building in Timisoara, now housing the Banat Etnographic Museum within the city's remaining 18th century bastion.

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Freedom Square (Piata Libertatii) to Victory Square (Piata Victoriei)
 
Another remarkable open space in the city is Piata Libertatii which offers a great display of Secessionist architecture. The Banat region was under Turkish rule from 1552 until 1716 when the Austrian-Habsburg Prince Eugene de Savoy took over Timisoara. At this time, a seven-star- shaped bastion and gate-towers were constructed and the marshes surrounding the town were drained by the new Habsburg governor, General Mercy.

Continue along Str. Lucian Blaga to the 14th century Huniade Castle (Castelul Huniade). Built during the rule of Carol Robert, Prince de Anjou, it was completed by Iancu of Hundeoara and redesigned by the Habsburgs in the 18th century.

Residential Areas

South and east of the Bega Canal are the Josefin, Elisabetin and Fabric residential districts, true gems of Jugendstil, or art nouveau, architecture, built mainly in the late 19th century. The small residential square of Piata Plevnei, south of the Bega Canal, is bordered by excellent examples of the first phase of Secessionist architecture, such as Gemeinhardt's Peacock House (Casa cu Pauni) built in 1905. Facades are covered with an abundance of typical motifs: peacocks, swans, owls and squirrels together with sinuous vines and foliage. The theme continues on the buildings lining Splaiul Tudor Vladimirescu, following the south bank of the Bega, and to a lesser extent, around nearby Piata Maria and Bulevardul 16 Decembrie 1989.

Secessionist, or art nouveau, architecture also can be found in the cities of Arad (especially on Strada Closca and Piata Avram Iancu), Oradea (Vulturul Negru and Astoria hotels), Cluj (Odon Lechner National Theatre), Satu Mare and Targu Mures (Palace of Culture).